From there, things go from bad to worse, with the emergence of a new villain Spinel ( Sarah Stiles), who is animated in the "rubber hose" style of a character from 1930s animation, and a host of incredibly catchy songs written by Sugar and performed by pop stars like Chance the Rapper and Estelle.
Top gay movies 2019 movie#
Steven Universe: The Movie begins with a storybook opening, just like a classic Disney cartoon, and from there jumps forward in time from when the series ended, with a teenage Steven giving up the diamond homeworld to stay on Earth. And watching the film, directed by series creator Rebecca Sugar (alongside Kat Morris and Joe Johnston), it would have been a fitting goodbye, neatly positioned as a rewarding, emotionally resonant send-off for die-hard fans and a welcome entry point for those new to the series (that will hopefully inspire a watch from the beginning). Released months after the finale aired, Steven Universe: The Movie, a big, boisterous feature-length musical, effectively restarted the series, with Steven Universe Future, a miniseries fashioned as an epilogue to the main story, following closely behind. But instead of a series finale, it served as something of a backdoor pilot.
Since 2013 Steven Universe has been widely hailed for its lush animation, intricate storylines, snappy songs and inclusive LGBTQ themes, and when the fifth season finale aired earlier this year, it sort of seemed like that was it. It's a shame that this didn't get a theatrical release (aside from a San Diego Comic Con fan screening), but hopefully there will still be more direct-to-home-video installments. Teen Titans has reached a level of sublime goofiness that few animated features ever achieve. By the time the movie reaches its Into the Spider-Verse indebted finale, where versions of the Teen Titans appear from all sorts of bizarre corners of multiverse, Teen Titans Go! Vs. Teen Titans serves as a feature-length crossover of the series (actors voice the same characters in both series, making things both simpler and more complicated), twice as silly as you'd imagine and three times as hilarious (hurt feelings are put aside through the use of a 90s-style hip hop song, complete with characters commenting on their differing art styles). In a brief post-credits sequence at the end of last year's woefully underrated Teen Titans Go! To the Movies, it was teased that the characters from the more mature Teen Titans animated series had entered the realm of the more outwardly cartoony Teen Titans Go! (which was a comedic spin-off of the other series). The movie is an undeniable technical accomplishment, for sure, but should be heralded for what it is: one of 2019's most successful animated films. The fact that many are still referring to the movie as "live action" is as baffling as it is factually incorrect this new Lion King was hand animated by a team of talented artists, just like the original 1994 classic.
(Seriously, it's good.) And, it should be noted, I haven't gotten a chance to see Weathering With You yet, although I am, of course, dying to.Īlso, before we get into the list, I wanted to stress that Jon Favreau's The Lion King is, without question, an animated film. The fact that The Angry Birds Movie 2 narrowly missed my list is a testament to the variety and quality of the animated features released this year. There have only been a handful of films that have captured the imagination of the movie-going public in a serious way and there were a number of high profile, expensively produced bombs that littered the cinematic landscape ( The Secret Life of Pets ended up as a franchise nonstarter), but these things are true every year. With no clear frontrunner for the Best Animated Feature Oscar, many pundits are claiming that it was a lousy year for animation.